PICTURES

"The Musical Comedy Murders of 1940"

"The Maids"

"Ozburn’s Annie and Evans-Agnew’s Helen are mesmerizing. Ozburn is a seasoned pro whose performances I have been praising for years (most recently in “The Children’s Hour” at Lakewood Playhouse) and she nails it as Annie...The intensity and the authenticity of their physically demanding performances are mind-boggling. I can’t imaging watching their performances without aching for them and celebrating their final triumph."

Alec Clayton

News Tribrune

"The Miracle Worker"

"A Mamet Showcase"

"The Last Schwartz"

"Black Coffee"

"Doubt"

"Crimes of the Heart"

"The Maids"

"The Importance of Being Earnest"

"Narnia"

"Transylvania Clockworks"

"The Importance of Being Earnest"

"The Mousetrap"

"Intimate Apparel"

"A Mamet

Showcase"

"The Hiding Place"

"Narnia"

"MacBeth"

"The Miracle Worker"

"39 Steps #1"

"Office Hours"

"R & G Are Dead"

"The Children's Hour"

"The 39 Steps #2"

"Intimate Apparel"

"The 39 Steps #2"

"Ozburn owns the stage every time she does a period piece. This show continues that trend. Wilde must have had a premonition five generations ago that Ozburn would handle his words like she were wearing a pitcher’s mitt – each line was worked and oiled and tooled for a full delivery. Ozburn delivered."

Steve Dunkelberger

The Tacoma Weekly

"The Importance of Being Earnest"

"Enchanted April"

"The Importance of Being Earnest"

"Twelfth Night"

"Oliver!"

"The Mousetrap"

"I Hate Hamlet"

"The Maids"

"The Miracle Worker"

"The 39 Steps #2"

"...But it’s Deya Ozburn who carries real dramatic weight here. As she brings to life each of the women that Hannay falls briefly in love with, she manages to do more than just draw superbly on stereotypes: the seductive spy Annabella Schmidt with her accent as thick as her eyeliner is gutsy, the downtrodden Scottish housewife Margaret gets a heart-rending innocence, the ditzy blonde Pamela actually finds some dignity."

Rosemary Ponnekanti

The Tacoma Tribune

"The 39 Steps - 2015"